The only wonderful thing about creationism is that it is based upon ignorance. That is something which can be remedied with a good bout of education to the brain.
So in this vain, I am happy to confess to my ignorance about the Shroud of Turin. I’ve always known what it was purported to be; it is not there that my ignorance lies. It is in the fact that so many people actually believe it is an imprint of the face of Jesus. Such religious lunacy doesn’t surprise me, but I was hardly aware of the value people placed in a raggedy Medieval piece of cloth.
Now it looks like the 13th century creation has been recreated in the 21st century.
Garlaschelli reproduced the full-sized shroud using materials and techniques that were available in the middle ages.
They placed a linen sheet flat over a volunteer and then rubbed it with a pigment containing traces of acid. A mask was used for the face.
The pigment was then artificially aged by heating the cloth in an oven and washing it, a process which removed it from the surface but left a fuzzy, half-tone image similar to that on the Shroud. He believes the pigment on the original Shroud faded naturally over the centuries.
They then added blood stains, burn holes, scorches and water stains to achieve the final effect.
For the rational, this long-closed case just has another nail in its coffin. But we aren’t all rational, are we?
Garlaschelli expects people to contest his findings. “If they don’t want to believe carbon dating done by some of the world’s best laboratories they certainly won’t believe me,” he said.